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In 2017 he wrote his first thriller, titled Salvo ( ISBN 978-90-82), followed in the same year by a book in which he wrote about his career as a filmmaker ( ISBN 978-90-82).

Īn authorized documentary about his career titled De Dick Maas Methode premiered at the Dutch Film Festival on September 27, 2020, in Utrecht. The film was retitled as Violent Fierce Lion.

It is also the first Dutch film to secure a wide theatrical release in China. His 2016 film Prooi became an unexpected box office hit in China cinemas in 2019. He left the company, which he started with Laurens Geels, in 2001. The film was produced by his production company First Floor Features, founded in 1984. The film Karakter won the Academy Award for Best Foreign Language Film in 1996. Maas also directed the controversial Saint Nicolas slasher Sint (Saint Nick) and one episode of the TV series Young Indiana Jones.

Maas achieved fame after the success of his music videos for the Dutch band Golden Earring, including ' Twilight Zone' and the controversial ' When the Lady Smiles,' and his films De Lift, Amsterdamned and Flodder in the 1980s. Beyond the well-planned structure of the event, and the methodological bases motivating it, there was also an underlying scope to the initiative, namely to show how dispute, variety and incoherent interpretations have always characterized modern engagements with Scriptural texts, and that in 2017, in Jerusalem, in a city that stands on five-thousand years of stratified stones, dirt, words and blood, scholars of different faiths and denominations can come together to discuss and interpret, question and embrace the Holy Scriptures.Dirk Herman Willem Maas (Dick) (born 15 April 1951) is a Dutch film director, screenwriter, film producer and film composer. Under the aegis of the Israel Institute for Advanced Studies, the Israel Science Fund, Bar-Ilan University and Fondazione per le Scienze Religiose Giovanni XXIII, this three-day event was structured along the lines of a methodological statement: in order to understand the possible range of intentions motivating the various artistic elaborations of biblical topics in the Renaissance, one first has to understand the religious context in which those particular works were produced. “The Bible in the Renaissance,” the international conference held in Jerusalem on May 22-24 2017, was an important academic event on the Renaissance readings of the Bible, which provided a formal framework for historians, art historians and literary scholars to meet and discuss the subject in a collegial context.

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